Book Resources

Download the Companion Workbook

  • This field is for validation purposes and should be left unchanged.

Chapter 1 Map Your Future

Topics Covered

Becoming the hero of your own journey
Who’s in charge?
Clarify your intent: What is it you want?
Project-driven careers
Your secret project

 

Books

Malcolm Gladwell, Outliers

 

Blog Posts

How to Achieve Your Goals

Being the Hero of Your Journey

Musicians: What powers your creative work?

What’s the crucial career action step you’re avoiding?

 

Videos

Joseph Campbell on the Hero’s Journey:

Angela Duckworth on grit:

 

Articles

“Study Focuses on Strategies for Achieving Goals, Resolutions,” Dominican UniversityNews Room, accessed September 5, 2017

Chapter 2 Identify Opportunities

Topics Covered

Growth versus fixed mindsets
Two flavors of opportunities
Portfolio careers
What you have to offer
Diagram your best self
Art versus business
Entrepreneurship: It’s not a job title, it’s a state of mind

 

Books

Emilio Guarino, Make It: A Guide for Recent Music Graduates

Steven Pressfield, The War of Art: Break Through the Blocks and Win Your Inner Creative Battles

Dale Trumbore Staying Composed: Overcoming Anxiety and Self-Doubt Within a Creative Life

Carol Dweck, Mindset: The New Psychology of Success

 

Video/Audio

Carol Dweck on the Growth vs. Fixed mindset:

Clarinetist Michael Norsworthy interviewed on Clarinet

Steven Pressfield’s concept of Resistance

Steven Pressfield and Oprah

Effective Practice

Mindfulness for Musicians: Tools
CMA Talks: Tools for Mindfulness with Angela Myles Beeching

 

Blog Posts

From composer Dale Trumbore – How to Get Past Self-Doubt and Envy

 

Articles

James Manyika, Susan Lund, Jacques Bughin, Kelsey Robinson, Jan Mischke, and Deepa Mahajan, Independent Work: Choice, Necessity, and the Gig Economy (McKinsey Global Institute Report, 2016)

Jeffrey Nytch, “The Entrepreneurial Symphony,” guest post, Greg Sandow on the Future of Classical Music (blog), October 29, 2013

Chapter 3 Get It Done

Topics Covered

Time blocking
Project management
Backward planning
Effective practice

 

Books

Seth Hanes, Break into the Scene (free copy)

 

Andrew Simonet, Making Your Life as an Artist (free copy)

 

Blog Posts

Focus on what matters most — for your music AND your career

Taking a leap — this might not work

Big-Ass List of Fears

Five Productivity Hacks

 

Videos

Creative Productivity Challenge Day 1: Creativity Habits

Creative Productivity Challenge Day 4: Process

(Note: these two FB Lives were part of a 5-day series on Creative Productivity)

Creative Productivity Challenge

Writer/choreographer Andrew Simonet’s commencement address

Researcher Angela Duckworth on how to practice like a pro

Composer John Steinmetz on the creative process

Simon Sinek, Understanding the Game We’re In

 

Articles

Brigid Schulte, “Work Interruptions Can CostYou 6 Hours a Day: An Efficiency Expert Explains How to Avoid Them,” Washington Post, June 1, 2015

Noa Kageyama, “How Many Hours a Day Should You Practice?,” BulletProof Musician(blog), accessed October 3, 2017

Composer John Steinmetz Resuscitating Art Music

Chapter 4 Connect with Others

Topics Covered

Real versus fake networking
Your networking mindset
Map your network
Performance invitations
How to work a room

 

Books

Seth Hanes, Break into the Scene (free copy)

 

Blog Posts

Musicians’ Networking System that Kim Leeds Used to Book More Work

How to Find or Start Your Own Creative Community

Musicians’ Social Media Mania

Getting to the Why?

 

Audio/Videos

Adam Grant on “Give and Take”

Seth Hanes interviewed on Music Publishing Podcast

Seth Godin on Social Networking

 

Resources for Printing and Business Cards

Vistaprint

Moo

 

Articles

Barry Michels, “Get Out of Your Comfort Zone,” The Tools Book (blog), June 19, 2017

Lauren Bacon, “The Comparison Trap: How to Enjoy (and Not Envy) the Success of Others,” 99U, October 6, 2014

Mike Jolkovski, “How Bands Die,” Working Through (blog), accessed October 3, 2017

 

 

Audio Interview

Author interview with tubist and founding member of Gaudete Brass, Scott Tegge

This conversation covered:

How did your group first come together?
The importance of your brand name and your vision (identity).
The value of being nimble-groups change and morph.
Residencies and building fanbase.
How he learned to book tours, network, and reach out to presenters, sending 5-6 emails to presenters per day.
How he got used to handling rejection.
Keeping your ‘WHY’ front of mind.
Balancing performance, teaching, and family life.
Commitment and scheduling issues.
Commissioning-funding, networking, recordings.
Creating special projects to garner a larger media profile.
Donor relationships and cultivating business support.
Involving donors in split commissioning projects.
What you’ll leave behind – the legacy of your work.

Chapter 5 Convey Your Authentic Self

Topics Covered

Authenticity: Finding your purpose
Your bio in six steps
Photos worth 1,000+ words
The adjective game Promo kits

 

Blog Posts

The missing ingredient in your bio — authenticity

How to Build a Better Bio — Musicians, Can We Get Real?

Wait, why do I make music?

Your Bio’s 5 Elements

Musicians — What business are you really in?

Let me tell you a story about a musician . . .

Worth 1000 Words?

3 Essentials for Musicians for a Great Promo Shoot

 

Audio/Videos

Pianist Jade Simmons on your brand   The 4×6 of Musicians’ Bio

On Purpose (Part of a 5-Day Series on Creative Productivity; Find the whole series here.)

Simon Sinek TED Talk on the importance of finding your WHY

 

Articles

Anastasia Tsioulcas, “Why Can’t Artist Bios Be Better?,” Deceptive Cadence (blog),NPR Classical, September 17, 2015

Joshua Roman’s TED Speaker bio, accessed October 3, 2017

 

Audio Interview

Interview with cellist Joshua Roman

We covered:

Having a larger mission. How curating concerts and composition fit in.
Letting go of self-judgment.The need for patience and self-acceptance.
How Joshua handles setbacks.
Meditation and getting in your own way.
In performing new music: find an emotional entry point for listeners.
When we’re stuck, tapping into what’s most personal.
We can make real connection when we share our vulnerability.

Bios

Note: Please DON’T compare yourself to these people—that’s a waste of emotional energy. And don’t copy any of the phrases or language used. That’s not going to help you find your own truth. Instead, read and analyze. Ask yourself what you can learn from the choices the musicians made: the order of information and the details used. Ask yourself what memorable, and what helps you get a sense of the real person behind the music.

 

Examples of performance bios

Pianist Walter Aparicio

Soprano Jennifer Piazza-Pick

 

On composer bios and describing your music

You need a better bio

Your better bio: vivid and engaging

Getting real and covering the bases

Describing your music and yourself

 

Examples of teaching bios

Soprano Jennifer Piazza-Pick

Pianist Walter Aparicio

 

Platforms for your EPK

ReverbNation

Sonicbids 

Chapter 6 Record Your Best

Topics Covered

Demo recordings Is it legal?
How and where to record
Write your budget Fund your recording

 

Blog Post

Need a Promo Video?

 

Videos

Flutist Teresa Payne’s promo video

Presenter Interview: Jenny Bilfield

 

Articles

Claudia Friedlander, “How to Make a Great Demo Recording,” Voice Studio, Carnegie Hall Musical Exchange, November 11, 2014

Adam R.,“How to Legally Secure the Mechanical Licenses for Your Cover Songs,” DIYMusician (blog), CD Baby, October 18, 2011

“Why Is There So Much Free Music on This Site? What Is He, Crazy?,” FAQ page (Jonathan Coulton’s website), accessed October 3, 2017

Singer/songwriter Jonathan Coulton on creating DIY success in music (early career)

Jonathan Coulton on connecting with your fans (more recently)

Quiz: Future of Music Coalition: on Music and Money—and Copyright

 

Resources

To search whether or not a work is in the public domain 

Check the copyright status of any work you plan to record (or to arrange, sample, or perform) 

Volunteer Lawyers for the Arts

Chapter 7 Cultivate Your Online Community

Topics Covered

The Tao of self-promotion
Your online persona
Websites 101
Web design using your fridge
Social media without the mania

 

Blog Posts

Using your fridge to improve your website?

 

Videos

Cellist Zoë Keating Interview

Digital marketing expert Gary Vaynerchuk “Marketing for Musicians”

StoryBrand marketer Don Miller on effective website design

Cellist Joshua Roman recorder live performance

Thomas Deneuville on “Developing Your Online Presence: Websites, Social Media, and Email Marketing”

Marketing expert Seth Godin at Carnegie Hall

Kevin Kelly Interview on 1000 true fans

Ariel Hyatt interviews Seth Godin the music industry and your place in it Pt. 1

Ariel Hyatt interviews Seth Godin the music industry and your place in it Pt. 2

 

Resources

Recommended web developer/designer: Suzanne Bird-Harris of WebsitesInWP.com

Cyber PR music specialist Ariel Hyatt’s free webinars

Click HERE to see if your preferred domain name is available

Design palettes of colors: Coolor.com

Inexpensive graphic design help fiver

 

Articles

F.Paul Driscoll, “Following @ Joyce Didonato,” Opera News 79, no.9 (March 2015)

Laura Sydell, “Control Your Image: Women Musicians Seize on Social Media,” The Record, Music News from NPR, August 19, 2010

Kevin Kelly, “1000 True Fans,” The Technium (blog), accessed October 3, 2017

Gary Vaynerchuk, “Business Advice for Aspiring Musicians” (blog post), accessed October 3, 2017

Joshua Roman’s Facebook page, November 10, 2016

Marina Terteryan, “How to Make Marketing Yourself on Social Media Less Overwhelming,” Jazz Education Network, accessed October 3, 2017

 

Examples of good site design

https://www.vocalpowerllc.com/

http://parkerquartet.com/

http://www.benjaminhochman.com/

https://joycedidonato.com/

https://garrickohlsson.com/

http://jenniferkoh.com/

Interlude: The Fundamental Questions

Chapter 8 Book More Performances

Topics Covered

Artist management facts and fiction
Taking charge of your own career: Self-management
Booking basics: Start with the people you know
Perfect pitch: Five elements
Negotiating fees
Confirmations and contracts
Booking a regional tour
Why not create your own series?
Legal issues:Performance licensing

 

Books

Getting to Yes: How To Negotiate Agreement Without Giving In

 

Blog Posts

5 Artist Management Myths

 

Booking concerts

Where to send concert pitches

 

Programming

Want to book more concerts? Here’s what presenters REALLY want.\

Perfect Pitches for Booking Concerts

The Musician’s Perfect Pitch Email? Here’s Tereasa Payne’s story . . .

 

Alternative Spaces

Booking Concerts — alternative spaces for musicians

How might House Concerts work for YOU?

 

Get started

Want more concerts? Start by re-connecting!

 

Handling rejection

How to handle rejection in an unfair music profession

 

Negotiating fees

Negotiating Fees: the money episode

If you hate negotiating fees . . .

 

Videos

Negotiation basics

On house concerts

 

Articles

Edna Landau, “An Alternative to Traditional Management,” Ask Edna (blog), MusicalAmerica, May 19, 2011

Bradley Sowash, “Self-Marketing for Artists,” Storier (blog), May 28, 2010

Florian Danner, “ Like Uber… But for a Live Orchestra in Your Home,” CNBC.com, November 4, 2016

 

Resources

Listings of artist managers, presenters, performing organization

North American Performing Arts Managers and Agents website

Examples of press release

Chapter 9 Tell Your Story

Topics Covered

Uncover your story
Press kit basics
Press release tips
Working with a publicist
Compile your media list
Timeline for promoting your next concert Reviews
Tips on being interviewed

 

Related Blog Posts

Let me tell you a story about a musician . . .

Musician Newsletter Know-how with Amanda Gookin

Musician Newsletter Know-How from Bridget Kibbey

Rob Flax and the Art of the E-newsletter — connecting with your fans

What to Learn from the Rodney Marsalis Philadelphia Big Band

 

Videos

On Story-telling

Pianist Jade Simmons reveals her purpose

Flutist Claire Chase on her story and starting ICE

Steven Swartz on What Does a Publicist Do?

 

Articles

Jade Simmons, “Presenting Yourself ! Perspectives and Strategies for Self Promotionand Branding,” webinar presentation, Eastman School of Music, Polyphonic (blog), April22, 2013

“8 Simple Steps to Formatting a Proper Press Release,” Cyper PR Press Release Guide,accessed October 30, 2017

Ariel Hyatt, “How to Be Your Own Publicist:Part3,” CyberPRmusic.com, accessedOctober 3, 2017

Thomas Deneuville, “10 Things to Consider When You’re Submitting an Album forReview,” I Care If You Listen, October 23, 2013

Edna Landau, “Tips for Giving a Successful Media Interview,” Ask Edna (blog), MusicalAmerica, December 13, 2012

Once Upon a Time at the Office: 10 Storytelling Tips to Help You Be More Persuasive.

 

 

Audio Interview

Author interview with cellist Amanda Gookin

This conversation covered

About the start of her Forward Music solo commissioning project-her inspiration-and
how she managed all the moving parts.
How she raised the com missioning funds.
[Amanda’s TEDX Talk]
Being a musician with a strong social activism stance.
What helped her bolster her confidence.
How she created a singular experience for the audience.
Her personal motto, “Jump first, learn to swim later.”
Amanda Gookin references who she collaborated with:
Web designer Beth Beauchamp
Publicist Unfinished Side Productions
Delaney Gibson art direction
Ryan Scherb photographer
Mount Tremper Arts residency
And she offers advice for musicians with projects.

Chapter 10 Make Meaning

Topics Covered

Find entry points
Introduce your music
Create engaging programs
Get hired
Evaluate your impact

 

Recommended Books

David Wallace Reaching Out: A Musician’s Guide to Interactive Performances

David Wallace’s Engaging the Concert Audience: A Musician’s Guide to Interactive Performance

Amy Cuddy Presence

Eric Booth The Teaching Artist Bible

 

Related Blog Posts

How well are you connecting with your audiences?

The “I hate public speaking” musicians’ antidote

Solving the problem of what to say

Making Meaning: Teaching Artists

Finding the Magic

 

Videos

Amy Cuddy’s TED talk

Eric Booth on ways to introduce a piece of music

Tom Jackson on what audiences want

Anthony Roth Costanzo connecting with his audience

Takacs Quartet on talking to audiences

Pianist James Rhodes introducing Chopin

 

Articles

Thomas Cabaniss, “Blurring Boundaries,” Chamber Music, accessed October 4, 2017

Nick Rabkin, Michael Reynolds, Eric Hedberg, and Justin Shelby, “Teaching Artists andthe Future of Education: A Report on the Teaching Artist Research Project” (NORC,September 2011)

John Steinmetz Resuscitating Art Music

Violinist Vijay Gupta Encouraging Musicians to be Empowered by Their Artistry

 

Relevant organizations

Young Audiences

Ensemble Connect

Community MusicWorks fellowship quartet

Teaching Artists Guild (membership is free)

Lincoln Center Teaching Artist Training

Chapter 11 Perform at Your Best

Topics Covered

Stage presence: The basics
Peak performance: the flow state
Managing performance anxiety
TreatmentPerformance health

 

Recommended Books

Amy Cuddy Presence

Karen Hagberg Stage Presence Presence from Head to Toe

Musical Excellence: Strategies and Techniques to Enhance Performance

Patsy Rodenburg Second Circle

Madeline Bruser The Art of Practicing

Gerald Klickstein

 

Related Blog Posts

Thought Distortion Round-up

Your super power: your Shadow

State of Mind?

 

Videos

Amy Cuddy’s TED talk

Barbara Hannigan interviewed on Horn hangouts

On Negative Self-talk

On Confidence

Note: these two FB Lives above were part of a 5-day series on Creative Productivity

Dan Sullivan’s 4 C’s of Confidence

Patsy Rodenburg Second Circle

 

References

Harold Schonberg, “Judges of the Keyboard,” New York Times, November 24, 1985

Noa Kageyama, “Practice Hacks: 8 Strategies for Practice that Sticks,” Bullet proof Musician (blog), accessed October 5, 2017

Noa Kageyama, “How Many Hours a Day Should You Practice?” Bullet proof Musician(blog), accessed October 5, 2017

“Ten Tips on Becoming Fearless,” IU News Room, Indiana University, accessed October 26, 2017

 

Guided Visualizations

Wendy Braun’s audition meditation

 

Frank Heckman’s Hero’s Journey series for stress reduction and focus

Body scan

Powerspot

Flow state

 

Additional Resources

Noa Kageyama’s free newsletter

Gerald Klickstein’s The Musicians Way book and newsletter

Chapter 12 Turn Pro: The Working Musician

Topics Covered

The professional’s mindset
Get more gigs
Your freelance résume
Musician unions: Strength in numbers
Negotiating fees
Contracts

 

Recommended Books

Beak into the Scene Seth Hanes (free copy)

Classic on Negotiation: Getting the Yes

 

Related Blog Posts

How to Get More Gigs

Opportunity Blindness

Negotiating Fees: the money episode

If you hate negotiating fees . . .

 

Videos

Steven Pressfield on Overcoming Resistance

The Performing Arts Ecosystem explained

Negotiation basics

 

Unions

The AFM (American Federation of Musicians)

AEA (Actors’ Equity Association, a.k.a. Equity)

AGMA is the American Guild of Musical Artist

SAG-AFTRA is two American labor unions: the Screen Actors Guild and the American Federation of Television and Radio Artist

 

Articles

Bassist Jason Heath’s12 Survival Tips for Freelance Musicians

Bobby Hoyt How to Make a Living as a Freelance Musician

Seth Hanes How to Turn One Gig into Many Gigs (Plus an Email Script You CanCopy)

Chapter 13 Manage Your Money to Fuel Your Artistry

Topics Covered

Heal your relationship with money
Budgets
Taxes 101
Special issues for ensemble

 

Recommended Books

Steven Covey 7 Habits of Highly Effective People

Emilio Guarino Make It: A Guide for Reent Music Graduates

 

Related Blog Posts

Your Relationship with Money — 5 Abundance Mindset Habits

What’s Your Degree Worth?

What’s the ROI of your music career work?

 

Resources

National Foundation for Credit Counseling

American Consumer Credit Counseling

Personal finance guru Suze Orman

A free copy of your credit report

Taxpayer advocate service

Volunteer Lawyers for the Arts

Chamber Music America

 

Articles

Nicholas Wyman, “Leading on College Tuition Reform?,” Forbes, August 13, 2015

Ellen McSweeney, “Buyer Beware: Education Debt,” New Music Box, June 3, 2013

Chapter 14 Fund Your Projects

Topics Covered

Map your project
Fundraising basics
How to make the ask
Fundraising letters
Crowdfunding
Grant funding basics
Grant Applications
Commissioning new work
Corporate sponsorship

 

Recommended Book

Waddy Thompson The Wise Guide to Winning Grants: How to Find Funders and Write Winning Proposals

 

Related Blog Posts

Raising money for a dream project?

Fundraising secrets for musicians: how to identify prospective donors

How to improve your fundraising pitches

How to Make the Ask

Musicians — How well are you connecting with potential donors?

Fundraising Secrets for Musicians part 2: the art of the thank you

Crowdfunding campaigns. What works for you?

 

Articles

Catherine Clifford, “Less Than a Third of Crowdfunding Campaigns Reach Their Goals,”Entrepreneur, January 18, 2016

Amy Yeh, “New Research Study: 7 Stats from 100,000 Crowdfunding Campaigns,”Indiegogo (blog), October 6, 2015

 

Resources for Grant Information

NYFA Source

Foundation Center

Guidestar

 

Resources for Commissioning

New Music USA

The American Composers Forum

An Individual’s Guide to Commissioning Music

Commissioning Music: A Basic Guide

Chapter 15 Get It Together: Your Career Portfolio

Topics Covered

Portfolio careers reprise
An abundant world of opportunities
Day job considerations
Teaching opportunities
Leadership skills in action: Music industry and arts admission opportunities

 

Recommended Book

David Cutler, Savvy Music Teacher

 

Blog Posts

Solutions for the Day Job Dilemma

Quitting Your Day Job?

Your Sustainable Career in Music

Looking to fill your teaching studio?

How to recruit more students

Voice Lessons & Workshops

 

Video

How to fill your studio

 

Articles

Christina Patterson, “Philip Glass:‘I think I’m built for this kind of life. Itrain like anathlete,’” Independent, May 21, 2009

Allan Chase, “Careers in Jazz Performance and Composition,” New EnglandConservatory Career Services Center handout series, May, 2008

 

Audio Author interview

NYC-based countertenor and educator Peter Thoresen

This conversation covered:

The plans we have when we’re in school versus how our careers actually unfold.
Becoming a better teacher, how to build skills, experience, and confidence.
Day jobbing in New York-surviving and taking risks.
Proceed as though you know exactly what you’re doing.
How networking really works, getting referrals, and impostor syndrome.
Advice for people finishing a doctorate on transitioning into the profession.
How a varied background influences the work you end up doing.
Counter-intuitive college teaching job interview approach.
Unexpected international teaching experience.

Music Teaching Resources

American Choral Director’s Association

American String Teachers Association

College Music Society

Kennedy Center’s Arts Edge

Music Teachers National Association

National Association for Music Education

National Guild for Community Arts Education

National Association of Teachers of Singing

Suzuki Association of the Americas, Inc.

Excellent listing of Music Career Resources

 

Private School Teaching Job Listings

National Association of Independent School

Carney, Sandoe & Associate

 

College-level Teaching Job Listings

Chronicle of Higher Education

College Music Society’s Music Vacancy Listings

Higher Ed Jobs

 

Arts administration job listings

Association of Performing Arts Professionals

League of American Orchestras

New York Foundation for the Arts

Your state arts agency’s website

Your alma mater – many music schools offer job listing publications and online listings.

Postlude : Your Journey Home

Acronyms

ACDA – American Choral Directors Association
ACF – American Composers Forum
AEA – Actors’ Equity Association (AKA: Equity)
AFM – American Federation of Musicians
AFTRA – American Federation of Television and Radio Artists
AGMA – American Guild of Musical Artists
APAP – Association of Performing Arts Professionals
ASCAP – American Society of Composers, Authors, and Publishers)
ASTA – American String Teachers Association
BMI – Broadcast Music, Inc.
CMA – Chamber Music America
CMS – College Music Society
ICSOM – International Conference of Symphony and Opera Musicians
JEN – Jazz Education Network
MTNAMusic Teachers National Association
NAFME
– National Association for Music Education
NAPAMA – National Association of Performing Arts Managers of America
NATS – National Association of Teachers of Singing
NYFA – New York Foundation for the Arts
PAS – Percussive Arts Society
RMA – Recording Musicians Association
ROPARegional Orchestra Players Association
SAG
– Screen Actors Guild
SESAC – Society of European Stage Authors and Composers
TMATheater Musicians Association